Saturday, June 30, 2018

Shaw Festival's Grand Hotel struggles grandly...

The Shaw Festival relies heavily on its big-budget musicals to keep the seats filled and patrons happy  they came, hopefully to stay and catch more shows at the Festival before leaving town.  It is always an important element of any theatre season not only at Shaw, but at the Stratford Festival as well.

Most years the musical is a slam-dunk that plays right by the theatre playbook; other years it can be a somewhat more risky affair that only partially satisfies.  The big musical offering this year, Grand Hotel, The Musical, falls into the latter category, but does it with great style.

Set in Berlin in 1928, the musical takes place entirely in the art deco lobby of the Grand Hotel, a still ritzy place only slightly past its prime where guests escape for any number of reasons.  Some are admittedly sinister.

Grand Hotel is based on Vicki Baum's Grand Hotel, updated in 1989 by Luther Davis with music and lyrics by Robert Wright & George Forrest of Kismet fame, and additional music and lyrics by Maury Yeston.  Almost musical by committee but not quite.  The film version from the 30s starred Greta Garbo, of course, where she uttered her famous line "I want to be alone!"

This new reworking, however, relies heavily on the musical aspect to carry the day, as the characters sing and dance their way through much of the production, only stopping long enough from time to time to remind us how unlikeable many of them really are.  These are desperate, even sometimes nasty individuals you frankly would not want to meet in a back alley or anywhere else for that matter.

The central character who wanders the stage throughout commenting on the events around him is the Colonel-Doctor, played with much angst by Steven Sutcliffe.  He opens the show by shooting up with  heroin, suggesting perhaps the whole show we're seeing is a product of his drug-induced, warped mind.

No matter, at least it takes his mind off the incredibly bad tailoring job done on his costume for the show.  I mean, really, can you not shorten his jacket sleeves so he doesn't look like a kid wearing his dad's jacket?  I know I am nit picking here, but considering the expense of producing a lavish show such as this, it struck me as a jarring oversight.

Sutcliffe's sombre tone as he wanders the stage uttering lines such as "Time is running out!" suggested perhaps he was an allegory for the impending doom of the stock market crash of 1929, ushering in the Great Depression and more misery than even the the inhabitants of the Grand Hotel could imagine.

Overall the cast is strong, ranging from Deborah Hay returning to Shaw as the ballerina Elizaveta Grushinskaya, on her eighth and hopefully final farewell tour, to Jenny L. Wright as Madame Peepee and Vanessa Sears as Frieda Flamm, or, Flammchen, who is longing for a film career in America.

Jay Turvey puts in a good performance as Hermann Preysing, a businessman with a non-existant moral compass, although as such he doesn't receive much sympathy for his plight from the audience.

The show really belongs to Michael Therriault again this year, hamming it up as Otto Kringelein, who spends his last days of life seeking a more opulent lifestyle he's only heard about before a terminal illness claims him.  Therriault makes Kringelein more likeable than most everyone else in the cast, even as he temporarily loses his cash at the Grand Hotel to one of the other guests.

Kringelein is befriended by that very guest, Baron von Gaigern, played by James Daley.  The Baron is rich in title but little else and needs to get his hands on some ready cash - fast - in order to stave off his Russian creditors.  This brings him in contact not only with Otto but also Elizaveta, knowing she wants to sell her precious necklace to raise funds to finance the remainder of her tour.  He steals it but in the process, caught in the act as he was by Grushinskaya, clumsily declares his undying love for her.

An unlikely romance blossoms, producing some real poignancy in the show when she sings Bonjour Amour.  But when his real intentions are revealed to her the next morning, her readiness to forgive in order to keep him no matter what is both sad and rather unnerving in this day and age.

The cast is ably directed by Eda Holmes and musical direction is by Paul Sportelli.

Grand Hotel is a grand effort that produces some great individual performances, but overall leads to a somewhat unsatisfying conclusion.  In light of that, I give it two out of four stars.

Grand Hotel, The Musical continues at the Festival Theatre until October 14th.

Have a great holiday weekend!

June 30th, 2018.


Saturday, June 23, 2018

Feel like dancing the night away tonight?

I received an email from the Guelph Youth Music Centre earlier this week about a special event coming up tonight, so I thought I would share it with you this weekend in this space in case you happen to be in the Guelph area and would like to take part in a fun fundraiser for a great organization.

First, a couple of confessions to make, both of which drew me to this information when it arrived.  I confess first and foremost, I am probably the poster boy for clumsy, inarticulate dance moves.  Never been good at it and never will.  My far better half and I toyed with taking ballroom dancing lessons years ago but before long, common sense took over and we (well, I mostly) got cold feet regarding the matter.

That said, there is no denying the attraction of watching couples gracefully waltzing, fox-trotting or jitterbugging around the dance floor.  Witness the phenomenal success of television shows such as Dancing With The Stars, for example.  Granted, I think a lot of the attraction for some is the tendency to watch in case a train wreck makes an epic failure on prime-time television.  Perhaps that takes me back to my first comments about my own abilities (read, inabilities) on the dance-floor.

Secondly, I have a strong affinity for Guelph, dubbed The Royal City, dating back to when my sister attended University there and I spent a lot of time exploring the area while visiting on weekends.  Later, while working part-time on weekends at a local classical music shop, I got to know more about the local arts and culture elements in the city, which is truly significant.  I mean, this city knows how to celebrate the arts more than many others, and people are happy to embrace that enthusiasm whole-heartedly.

Many a weekend evening I would make my way to Guelph to attend a performance by the Guelph Chamber Choir or even earlier, attending performances by the long-gone and much lamented Guelph Spring Festival.  I spent many a pleasurable evening at venerable War Memorial Hall where on one happy occasion, I had the pleasure and honour to interview Canada's famous Queen of classical comedy, Anna Russell, who appeared at the Festival back in the 80s.

From there, it was falling headlong in love with such local attractions as the Saturday morning farmer's market downtown or even the Biltmore Factory Outlet store where I purchased many a stylish fedora or homburg over the years.

That brings me, admittedly via a circuitous route, to the Guelph Youth Music Centre.  I first visited the centre, located at 75 Cardigan Street with a beautiful view of the greenery in downtown Guelph, many years ago when it was the location of a season announcement for the Guelph Spring Festival.  I was amazed this artistic jewel was right there under our collective noses, tucked away in the heart of such an artistically vibrant city.

The GYMC was established in 1992 as a not-for-profit organization dedicated to education, enrichment and fostering the development of youth through music and the arts.  The Centre acts as a cultural hub for children of all ages and backgrounds in the community, providing a variety of programs and space availability to partner organizations as well as outreach in the community.  Executive Director Gabriella Currie-Ziegler is justly proud of the outreach element the Centre provides within the community on many levels.

So what's all this got to do with dancing tonight, you ask?  Well, after a lengthy absence, the Guelph Youth Music Centre's gala evening "Bella Serata" or, beautiful evening, returns tonight at 7 pm with the theme "We Could Have Danced All Night!"  Organizers have kept many of the traditional gala features people were familiar with in the past, including food provided by some of the area's best restaurants and caterers, as well as splendid desserts, wine, beer and an exceptional Silent Auction.  There will also be classical music performances in the acoustically radiant Recital Hall.

New this time out will be jazz music provided by the Nick Maclean Trio, plus a demonstration and group lesson by professional ballroom dance teachers, offering the chance to dance to live music by the jazz trio.  Toronto-based Maclean founded his Quartet in 2016, inspired by the hard-swinging New York City style he was so familiar with in his formative years, and the Trio has grown out of that Quartet.

Classical music performances will feature "Concorde", the senior string ensemble of the Suzuki String School of Guelph, a founding resident organization of the GYMC, as well as Toronto violinist Tak Kwan, concert performer and director of the GYMC's orchestra programmes, soprano Marion Samuel-Stevens and pianist Ken Gee, Artistic Director of Guelph Musicfest.

There will certainly be the requisite food and wine vendors, and I am happy to report Niagara will be represented by Vineland Estates Winery.

This year's gala is generously sponsored by the Chyc Family Foundation, with additional support offered by a host of local, artistically-minded organizations including Linamar.

Tickets are offered at a special price of $75 each for two or more adult tickets, or singly at $100 each, with a tax receipt issued for a portion of the ticket price.  You can order them online, call the Centre at 519-837-1119 or even pick them up in person at the Centre on Cardigan Street if you are in the area.

This looks like a great evening and I hope all goes well.  As for me, I really have to plan a visit back to Guelph soon and perhaps even revisit the Guelph Youth Music Centre sometime.  I think I hear the city beckoning once again...

Have a great weekend!

June 23rd, 2018.

Saturday, June 16, 2018

It's time for summer music and fun all around us!

With the start of summer now just days away, a lot of people are already thinking of the myriad of summer music festivals in and around Niagara, or just a short drive away.  There are far too many to list in this space all at once, but occasionally we'll touch on them a few at a time over the summer months and give you some detail of what's to come.

This weekend, three festivals will be highlighted, featuring blues, jazz and lots of classical music to cool you down on these sultry summer days and nights.

The TD Niagara Jazz Festival has grown since its inception just a few short years ago to now encompass two full weekends in July plus numerous events before and after the two core weekends.  This is the first year for a two-weekend event, and Festival Executive Director/Artistic Producer Juliet Dunn along with Co-Creator & Artistic Consultant Peter Shea feel the time is right to expand the event to two weekends now.  The 5th Annual TD Niagara Jazz Festival has all the makings of being the marquee music event of the summer right here in Niagara.

The Flagship opening event on the weekend of July 19th to the 22nd takes place at the FirstOntario Performing Arts Centre in downtown St. Catharines; the second weekend will feature the hugely popular "Jazz in the Park" events in Simcoe Park in Old Town Niagara-on-the-Lake July 28th and 29th.

In addition, new this year will be the inaugural World Music on the Beach event hosted by the TD Niagara Jazz Festival in Port Dalhousie.  Four community stages will be filled with music from around the globe, located from Lakeside Beach at the Rotary and Pavilion stages to Hogan's Alley, to the all-new Lock One Stage (Tow Bridge Stage) honouring the historic first Welland Canal.  The best part of all, this is a free community event for the entire family, featuring music, dance, kids play zones, artisan vendors, wine and craft beer stalls as well as local culinary favourites.

Juliet Dunn says its an opportunity to "show how World Music plays such an integral part in the world of jazz", adding bands will be showcased from Jamaica, Japan, Holland and the Ukraine, as well as local, home-grown World music artists from around the province.

One of the nice touches is a secure 'Bike Valet' area, so patrons can ride their bikes to Port and walk around and enjoy the sights and the music without having to worry about their bikes.

The day-long World Music on the Beach event takes place on Sunday, July 22nd during the first weekend of the Festival.

For more information and to order Festival tickets and passes, go to www.niagarajazzfestival.com or call 1-844-548-5299.

Over the border in Lewiston, New York, the Lewiston Council on the Arts has announced their summer schedule, including everything from the ever-popular Summer of '69 concert in the park to the 34th annual Key Bank Chalk Walk Competition.  The summer schedule runs from July 9th to August 20th, with events scattered throughout the fall season as well, ending in November.

One of the more popular events for several years now have been the Blue Mondays concerts in the Gazebo on Centre Street.  In its 24th year now, the Blue Mondays series has been the recipient of Blues Beat Magazine's prestigious "Muddy" award and for many is considered one of the best Blues venues in Western New York.  Best of all, the concerts are all free, so pack a picnic dinner and grab your lawn chair and catch acts such as Marsha McWilson on July 9th all the way to Maria Aurigema on August 20th.

The aforementioned Summer of '69 concert takes place on Friday, July 13th at 6 pm, and again is a free event.  The annual concert reunites Lewiston-area rock musicians who have moved on since their heyday in the 60s, 70s and 80s.  Featuring the Lewiston All Stars, Loved Ones, the County Orphanage, the Invaders and special guest, Grammy Award winner Gary Baker.  All the participants gather on stage for a grand jam finale.  The Summer of '69 concert is in the Hennepin Park Gazebo at the corner of 4th and Centre Street.

The 52nd Lewiston Art Festival closes off Centre Street to vehicular traffic and visitors can amble the streets to view works by more than 175 artists and crafters.  The Art Festival takes place the weekend of August 11th and 12th all day, and is also free.

Want more information on events happening this summer with the Lewiston Council on the Arts?  Go to www.artcouncil.org or call 716-754-0166.

Finally, one of my all-time favourite summer music festivals is set to kick off July 13th and run to the 29th in the lovely town of Elora, Ontario.  The 39th season now encompasses three weeks of musical performances of every description and this season will honour the memory of Michael Purves-Smith, the founding Artistic Director of the predecessor to the Elora Festival, the Three Centuries Festival, in 1979.  He passed away back in January of this year.

The Festival features performances by a wide range of artists from Isabel Bayrakdarian to Chantal Kreviazuk, but the heart of the Festival remains the glorious Elora Singers, the choir-in-residence of the Elora Festival.  They present their own Choral Concert Series, of course, including a choral tribute to Leonard Bernstein on July 21st featuring the Chichester Psalms to The Elora Singers Unplugged on July 22nd.  They also perform more sacred music at the Choral Evensong performance on July 26th and as part of the weekly Sunday Service on Sunday mornings at St. John's Church.  This to me presents the Singers in their purest, most radiant form, and I never miss a chance to attend the 11 am service during a weekend visit to the Festival.

The Opening Night Gala concert in the Gambrel Barn on July 13th is in partnership with The Canadian Opera Company and features The Elora Singers along with the Toronto Mendelssohn Choir and soloists Isabel Bayrakdarian, Danika Loren, Andrew Haji and Samuel Chan, followed by a public reception and of course, fireworks to cap the evening off.

Something new this year for the 39th season is a special fundraiser being held at the newly refurbished and restored Elora Mill Hotel and Spa, closed for many years.  The July 18th event features cocktails at 5:30 pm and dinner at 7.  It promises to be the Big Event of the summer season in Elora.

The Elora Singers are certainly Canada's preeminent chamber choir and hearing them on their home turf is for me, a summer must-do each year.  If you are so inclined, and you should be, Elora is a pleasant two-hour drive from Niagara just northwest of Guelph.

For tickets and more information, go to www.elorafestival.ca or call 519-846-0331.

So there you go - a trio of summer events designed to get you out of the house and out of your rut, and enjoy some great summer music and culture not that far away from home.  We'll look at some other great ideas shortly in this space.

Enjoy your weekend!

June 16th, 2018.


Friday, June 1, 2018

News and notes in the Arts

As the first weekend of June unfurls in all its glory, a few items of news and notes from the local arts scene and beyond to get you going for the weekend...

Last night I had the pleasure to attend the 2018/19 Hot Ticket lineup announcement at the FirstOntario Performing Arts Centre in downtown St. Catharines.  This was the second of two consecutive nights, as the large Partridge Hall was filled almost to capacity both nights.  That tells us something about the local arts scene:  truly, if they build it, we will come.  And we do.  Last year for example, more than 75,000 people filed through the doors at the PAC to take in a performance of some sort.

What I love about this stat is it comes after barely three years of existence, as the PAC opened in the fall of 2015.  This fourth season announcement stokes the fires even more so, and helps to put to rest once and for all the notion the FirstOntario Performing Arts Centre would not be supported and embraced by the community at large.

Guests the last two nights got to sample food from sponsors Wind, East Izakaya and Ma Chinese Cuisine along with Niagara wines in the lobby before the event inside Partridge Hall, and also experienced other notable sponsors in Robertson Hall including Critelli's Fine Furniture, The Peanut Mill and Elite Spa Group, among others.

Once inside the theatre a combination of performances both live and pre-recorded outlined the upcoming season in both the banner Hot Ticket series as well as performances by local music and theatre organizations such as Carousel Players, Essential Collective Theatre, Suitcase in Point, TD Niagara Jazz Festival and Twitches and Itches Theatre, among others.

Both Executive Director Steve Solski and Mayor Walter Sendzik spoke glowingly about the way the PAC has helped to breath new life into downtown St. Catharines with quality performances to satisfy most every taste.  It was left to Programming and Marketing Manager Sara Palmieri and the rest of her talented team to outline the upcoming season in greater detail as the evening progressed.

Of particular note the second annual Celebration of Nations, a gathering of indigenous arts, culture and tradition will once again kick off the new season September 7th to the 9th in and around the PAC.  It will be expanded this year, feeding off the momentum of the inaugural event last season with something for most everyone in both music and theatre as well as other art forms.

Tied in with that event, which Mayor Sendzik highlighted last night, was the celebration of the late Gordon Downie scheduled for October 18th.  Walking the Path of Reconciliation will be a celebration by Canadian artists of the impact of Gord's art and work.  Downie of course died last year after completing his final tour with The Tragically Hip, and not before making a special effort to shine light on the reconciliation with Canada's First Peoples.  The concert is a collaboration with The Gord Downie & Chanie Wenjack Fund and will feature artists ranging from Twin Flames, Bruce McCulloch, Tom Wilson and Danny Michel to Trent Severn, Matthew Barber, Damnhait Doyle and others.

For tickets and more information on all upcoming performances, go to www.FirstOntarioPAC.ca or call the box office at 905-688-0722.

This coming Sunday afternoon in the Cairns Recital Hall at the FirstOntario Performing Arts Centre, Gallery Players will present the final concert of the current season, Opera in Concert - "Folly in Love" by Alessandro Scarlatti.  Directed by Bud Roach, the performance features Capella Intima along with Members of the Nota Bene Baroque Players from the Guelph area, along with soloists Sheila Dietrich, soprano; Vicki St. Pierre, mezzo-soprano; Bud Roach, tenor; David Roth, bass; along with instrumentalists including Julie Baumgartel and Rona Goldensher on violins, John Wiebe on viola, Margaret Gay on cello, Borys Medicky on harpsichord and Terry McKenna on lute.

The opera is full of comic themes including mistaken identity, sibling rivalry and of course, love at first sight.  It was the first opera for the then eighteen-year-old Scarlatti, premiering in Rome in 1679. The public quickly embraced this new, youthful voice in the world of opera, in spite of the fact there was a papal decree against such scandalous behaviour as women on stage and even the ban on the church's employment of theatre musicians.

Tickets to Opera in Concert are available in advance by calling Gallery Players at 905-468-1525, or you can pick them up at the PAC box office on Sunday afternoon.

Finally, Hamilton-based composer Robert Bruce's "Blues Hologram" debut concert comes up next Wednesday evening, June 6th at the Art Gallery of Hamilton in the Tanenbaum Pavilion.  This will be the first public presentation of the group's intriguing musical style and sound, integrating both live music and a cinematic experience in a multi-media concert performance.  Each song will be performed while accompanying a specially-produced short film.

The performance will highlight the vocal duets of classically-trained Amy Dodington and the more earthy, gospel-infused style of Martina Aswani performing the compositions of Robert Bruce, blending both classical elements and basic blues elements he grew up with and learned throughout the 60s and 70s in the areas of popular and rock music.  Four of the songs have been recorded already, in fact, and featured in Bruce's first full-length feature film, "Love Bonds", now in the final stages of post-production.

Bruce and singers Dodington and Aswani will be joined by Hamilton percussionist Dave Simpson, who has worked with Bruce several times over the last ten years.

The event next Wednesday, June 6th begins at 7:30 with the doors opening at 7.  Tickets are $20 and available at the door, or in advance via PayPal at www.robertbrucemusic.com.

Lots to see and do in Niagara and beyond this week and in the months ahead.  Enjoy!

June 1st, 2018.